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The Pencil of Nature (1844-46)

by William Henry Fox Talbot

Part VI : PLATE XXII. Westminster Abbey

About The Pencil of Nature
Part I.
Publisher's note, frontispiece, and title page.
Introductory Remarks.
Brief Historical Sketch of the Invention of the Art.
Plate I. Part of Queen's College, Oxford.
Plate II. View of the Boulevards at Paris.
Plate III. Articles of China.
Plate IV. Articles of Glass
Plate V. Bust of Patroclus.

Part II.
Plate VI. The Open Door
Plate VII. Leaf of a Plant
Plate VIII. A Scene in a Library
Plate IX. Fac-simile of an Old Printed Page
Plate X. The Haystack
Plate XI. Copy of a Lithographic Print
Plate XII. The Bridge of Orleans.
Part III.
Plate XIII. Queen's College, Oxford, Entrance Gateway
Plate XIV. The Ladder.
Plate XV. Lacock Abbey in Wiltshire.

Part IV.
Plate XVI. Cloisters of Lacock Abbey.
Plate XVII. Bust of Patroclus.
Plate XVIII. Gate of Christchurch
Part V.
Plate XIX. The Tower of Lacock Abbey
Plate XX. Lace
Plate XXI. The Martyr's Monument
Part VI.
Plate XXII. Westminster Abbey
Plate XXIII. Hagar in the Desert.
Plate XXIV. A Fruit Piece.

PLATE XXII. WESTMINSTER ABBEY

THE stately edifices of the British Metropolis too frequently assume from the influence of our smoky atmosphere such a swarthy hue as wholly to obliterate the natural appearance of the stone of which they are constructed. This sooty covering destroys all harmony of colour, and leaves only the grandeur of form and proportions.

This picture of Westminster Abbey is an instance of it; the facade of the building being strongly and somewhat capriciously darkened by the atmospheric influence.

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