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Archive texts:
History of Photography


The Pencil of Nature (1844-46)

by William Henry Fox Talbot

Part VI: PLATE XXII. WESTMINSTER ABBEY


THE stately edifices of the British Metropolis too frequently assume from the influence of our smoky atmosphere such a swarthy hue as wholly to obliterate the natural appearance of the stone of which they are constructed. This sooty covering destroys all harmony of colour, and leaves only the grandeur of form and proportions.

This picture of Westminster Abbey is an instance of it; the facade of the building being strongly and somewhat capriciously darkened by the atmospheric influence.


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