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The Pencil of Nature (1844-46)

by William Henry Fox Talbot

Part IV (cont.): PLATE XVIII. GATE OF CHRISTCHURCH

About The Pencil of Nature
Part I.
Publisher's note, frontispiece, and title page.
Introductory Remarks.
Brief Historical Sketch of the Invention of the Art.
Plate I. Part of Queen's College, Oxford.
Plate II. View of the Boulevards at Paris.
Plate III. Articles of China.
Plate IV. Articles of Glass
Plate V. Bust of Patroclus.

Part II.
Plate VI. The Open Door
Plate VII. Leaf of a Plant
Plate VIII. A Scene in a Library
Plate IX. Fac-simile of an Old Printed Page
Plate X. The Haystack
Plate XI. Copy of a Lithographic Print
Plate XII. The Bridge of Orleans.
Part III.
Plate XIII. Queen's College, Oxford, Entrance Gateway
Plate XIV. The Ladder.
Plate XV. Lacock Abbey in Wiltshire.

Part IV.
Plate XVI. Cloisters of Lacock Abbey.
Plate XVII. Bust of Patroclus.
Plate XVIII. Gate of Christchurch
Part V.
Plate XIX. The Tower of Lacock Abbey
Plate XX. Lace
Plate XXI. The Martyr's Monument
Part VI.
Plate XXII. Westminster Abbey
Plate XXIII. Hagar in the Desert.
Plate XXIV. A Fruit Piece.



PLATE XVIII. GATE OF CHRISTCHURCH

THE principal gate of Christchurch College in the University of Oxford.

On the right of the picture are seen the buildings of Pembroke College in shade.

Those who have visited Oxford and Cambridge in vacation time in the summer must have been struck with the silence and tranquility which pervade those venerable abodes of learning.

Those ancient courts and quadrangles and cloisters look so beautiful so tranquil and so solemn at the close of a summer's evening, that the spectator almost thinks he gazes upon a city of former ages, deserted, but not in ruins: abandoned by man, but spared by Time. No other cities is Great Britain awake feelings at all similar. In other towns you hear at all times the busy hum of passing crowds, intent on traffic or pleasure -- but Oxford in the summer season seems the dwelling of the Genius of Repose.

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