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The Pencil of Nature (1844-46)

by William Henry Fox Talbot

Part II : PLATE VII. Leaf of A Plant.

About The Pencil of Nature
Part I.
Publisher's note, frontispiece, and title page.
Introductory Remarks.
Brief Historical Sketch of the Invention of the Art.
Plate I. Part of Queen's College, Oxford.
Plate II. View of the Boulevards at Paris.
Plate III. Articles of China.
Plate IV. Articles of Glass
Plate V. Bust of Patroclus.

Part II.
Plate VI. The Open Door
Plate VII. Leaf of a Plant
Plate VIII. A Scene in a Library
Plate IX. Fac-simile of an Old Printed Page
Plate X. The Haystack
Plate XI. Copy of a Lithographic Print
Plate XII. The Bridge of Orleans.
Part III.
Plate XIII. Queen's College, Oxford, Entrance Gateway
Plate XIV. The Ladder.
Plate XV. Lacock Abbey in Wiltshire.

Part IV.
Plate XVI. Cloisters of Lacock Abbey.
Plate XVII. Bust of Patroclus.
Plate XVIII. Gate of Christchurch
Part V.
Plate XIX. The Tower of Lacock Abbey
Plate XX. Lace
Plate XXI. The Martyr's Monument
Part VI.
Plate XXII. Westminster Abbey
Plate XXIII. Hagar in the Desert.
Plate XXIV. A Fruit Piece.


PLATE VII. LEAF OF A PLANT

HITHERTO we have presented to the reader the representations of distant objects, obtained by the use of a Camera Obscura. But the present plate represents an object of its natural size. And this is effected by quite a different and much simpler process, as follows.

A leaf of a plant, or any similar object which is thin and delicate, is laid flat upon a sheet of prepared paper which is moderately sensitive. It is then covered with a glass, which is pressed down tight upon it by means of screws.

This done, it is placed in the sunshine for a few minutes, until the exposed parts of the paper have turned dark brown or nearly black. It is then removed into a shady place, and when the leaf is taken up, it is found to have left its impression or picture upon the paper. This image is of a pale brown tint if the leaf is semi-transparent, or it is quite white if the leaf is opaque.

The leaves of plants thus represented in white upon a dark background, make very pleasing pictures, and I shall probably introduce a few specimens of them in the sequel of this work: but the present plate shews one pictured in the contrary manner, viz. dark upon a white ground: or, speaking in the language of photography, it is a positive and not a negative image of it. This change is accomplished by simply repeating the first process. For, that process, as above described, gives a white image on a darkened sheet of paper: this sheet is then taken and washed with a fixing liquid to destroy the sensibility of the paper and fix the image of it.

This done, the paper is dried, and then it is laid upon a second sheet of sensitive paper, being pressed into close contact with it, and placed in the sunshine: this second process is evidently only a repetition of the first. When finished, the second paper is found to have received an image of a contrary kind to the first; the ground being white, and the image upon it dark.

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