To begin with, you'll find photographs of mine in the Villa Florentine Gallery. Next, try the links to works of mine online in other sections of The Nearby Café:

• A web version of my collaboration with Finnish photographer Nina Sederholm, spine, a multimedia project incorporating Nina's photographs, music by the Finnish composer Mikko Hassinen, and my own poetry, fiction, and creative nonfiction, appears here in The Nearby Café Gallery.
• A sampling of my poetry in the section devoted to The Sepoy Rebellion Online.
  • Chinese Duck Pop
  • Dream Poems 1, 3, 4, 5
• Three works of creative nonfiction:
  • Mr. Democracy
  • ONCE, in Madrid
  • Sea Changes: Riding the Staten Island Ferry ("Sea Changes" appeared originally in the journal Creative Nonfiction No. 9, 1998, the first literary magazine devoted exclusively to this "emerging genre." Because it's widely used in college courses on the subject, Creative Nonfiction's editor, Lee Gutkind, asks contributors to answer a series of questions for study guides to their writings. These are posted at their website. Here's a link to the one for "Sea Changes." And here's another, relating to a piece that hasn't yet made its way online, but that appeared in Camera & Darkroom as well as Creative Nonfiction No. 5, 1996: "Hypothetical History of an Actual Photograph.").

Works of mine published online elsewhere:

• My poem "La Opera" appears in the print and online version of Fuel (no. 20), edited by Andy Lowry.
• My poem "Tasty Fries" appears in the e-zine Switched-on Gutenberg: A Global Poetry Journal, Vol. 4, no. 2, January 2000.
• A peculiarly apologetic rejection letter I received from a literary magazine -- with some comments on its particularities -- is posted at rejectioncollection.com, a delightful website devoted to noteworthy rejection letters from editors to creative writers.
• Permanently available in the on-line publication Urban Desires, edited by Gabrielle Shannon:
  • "Mud Pie: Photos by Nina Glaser": my first piece for the 'net, and my first experiment with creative nonfiction and interactivity.
  • "The Lovely Poems, #1-6": the first half-dozen in a sequence of erotic poems, with photographs of mine.
  • "Once, In Madrid": a work of creative non-fiction.
  • "Dream Stew: Fran Murphy's Photographs": another experiment with creative nonfiction and interactivity.

Visual Art: Collages, Photographs

• From the First National Church of the Exquisite Panic, Inc., the December 1995 invitation to their "Exhibition of Sacrificial Art," curated by Clayton Patterson and Robert Delford Brown, in which I participated along with Alien Comic, Richard Kostelanetz, Elsa Rensaa, and others.
• At the same site, the certificate of my 1972 "sanctification" by the FNCotEPI as a Funkapagan Saint, for my "contribution to the growth of Funkupaganism through . . . energy and . . . creativity."