WordWork
Workshops and Seminars
Upcoming:
-
Fall 2004 (dates to be announced), National Writers Union, NY: "The Joys of Self-Syndication: A Subsidiary-Rights Workshop for Writers." Call (212-929-2241) or email Joe Harkins at nwuny@nwuny.org
for details and registration.
Participants'
Comments
Past
WordWork Workshops and Seminars
WordWork
Lectures and Panels
About the
WordWork Workshops and Seminars
Through the Imago
Lecture Bureau, I offer a set of lectures, workshops
and seminars available for presentation to various
constituencies. These are specifically designed
for and of interest to working writers in all forms
of the craft -- academics, journalists, essayists,
creative writers -- as well as to student writers
and producers of intellectual property in general.
I have presented
these public lectures and intensive small-group
encounters at colleges, universities, museums, alternative
institutions and other venues around the world since
1970 -- most recently for the Professional Writers'
Certificate Program of Mercer County Community College
(NJ), the New York Local of the National Writers
Union, the Penland School of Crafts, and the Oklahoma
Arts Institute. (For a report on my workshops as
presented under the aegis of the National Writers
Union, see this profile
of A. D. Coleman by Susan E. Davis from Between
the Lines, the newsletter of the New York Local
of the NWU.)
I've also held
them privately in recent years, in Philadelphia
and New York. The small-group events involve no
special equipment, and can be staged in any space
(such as a studio, loft or apartment) that can comfortably
hold 10-15 attendees.The list below includes descriptions
of samples of the one-day and weekend workshops
available. More complete descriptions, with syllabi,
can be obtained by emailing Reiko Soucoupe at the
Imago Lecture Bureau: imago@nearbycafe.com.
|
2-Day
to 5-Day Workshops
Writing
to/from Photographs: A
Workshop for Creative Writers
In
the century and a half since its invention,
photography and photographs have inspired
a prodigious amount of writing in a wide
range of forms and styles. Dozens of major
critics, theorists, historians, poets,
playwrights and novelists -- Walter Benjamin,
Susan Sontag, Gabriel Garcia Marquez,
Virginia Woolf, Julio Cortazar, Carolyn
Forché, Ntozake Shange among them
-- have used particular photographs, or
aspects of the medium itself, as jumping-off
points for their work.
This workshop addresses photographs and
photography as sources and as triggers
for various kinds of writing, from the
essayistic and diaristic to the fictional
and poetic. It combines a brief survey
of some of the best writing provoked by
photography to date with the actual experience
of writing to/from photographs. In addition
to discussing choice examples of notable
writers' responses to the medium, participants
will experiment with diverse ways of responding
to the photograph's capacity to particularize,
its distinctive relationship to specific
moments in time and space, and its encoding
of the idiosyncratic vision of its maker.
A series of writing exercises involving
images supplied by the instructor and
others made and/or brought by the participants
themselves will provide a groundwork useful
for both a close critical reading of all
kinds of photographs and a more spontaneous,
creative engagement with these commonplace
yet extraordinary images that trace our
lives and shape our culture.
Attending to Photographs:
Toward a Critical Vocabulary
This workshop is geared
toward anyone who needs to address photographs
precisely, with an awareness of their particularities
as images and as cultural artifacts. That
includes historians, anthropologists, sociologists,
cultural theorists, media critics, and workers
in many other disciplines. The workshop
emphasizes the basic elements of photography
criticism: it is intended to introduce a
methodology that participants can continue
to explore on their own, whether as audience,
as scholars and researchers, as teachers,
or as critics, after the workshop ends.
A series of writing
exercises involving images supplied by the
instructor and others made and/or brought
by the participants themselves will provide
a groundwork useful for a close critical
reading of all kinds of photographs.
Both these workshops
can be compressed into a two-day session,
suitable for weekends. My preference is
to run them longer, up to a maximum of five
days; this allows participants more time
for questioning and exploration, and permits
me to flesh out the concepts more fully.
|
back
to top
Half-Day/One-Day
Seminars
Playing
Hardball: Copyright Law and Contract
Negotiation for Writers
Today,
more than ever before, writers face challenges
to their survival from an increasingly
aggressive and corporatized publishing
world. Designed for writers at the professional
and pre-professional levels who work (or
plan to work) for periodicals of all kinds
(including academic journals), this intensive
workshop serves all those who need to
learn effective self-defense methods for
protecting their copyright and other rights
to their own intellectual property. It
provides tested strategies for negotiating
favorable terms in dealings with the editors
and publishers of periodicals here and
abroad. This workshop addresses such fundamental
issues as:
-
Copyright:
Where it came from, how it's created
and transferred, and why you want
to retain it.
-
Defining
the assignment: Length, deadline,
style, format, fees, expenses.
-
Negotiating
the fee: Don't blink first.
-
Handshake
deal vs. letter of agreement: pros
and cons.
-
Submitting
the working draft.
-
Revision
and its limits.
-
Getting
paid.
Workshop
participants leave with broader understandings
of their options and a wealth of tested
tactics that they can apply immediately
to their current and upcoming writing
assignments.
This
is a one-day workshop whose content can
be compressed into one intensive 3-to-4-hour
session.
The
Joys of Self-Syndication: A Subsidiary-Rights
Workshop for Writers
Here's
the secret: You can publish the same piece
of writing more than once. Everyone who
writes regularly for publication builds
up a backlog of material that can have
an ongoing role in his or her professional
life. You almost undoubtedly have valuable
inventory, and may not even know it. Learn
how to license reprints of your articles
profitably in this workshop on subsidiary
rights, which will cover effective ways
to maximize income and exposure from your
work by arranging multiple uses of it
after its initial publication in any format.
Topics include the how-to of licensing
primary and secondary rights, tactics
of self-syndication, and methods for selling
to European and other markets. Its ideas,
strategies and suggestions are drawn from
the presenter's three decades in the field.
Issues covered include:
-
Licensing
Primary and Secondary Rights; or,
you can publish the same piece of
writing more than once.
-
Self-Syndication.
-
Europe
and other markets.
-
Information
Sources and Networking.
-
Writing
and the New Technologies.
-
Books
and How to Build Them.
-
From
Essays to Lectures: How to convert
prose to speech, and vice versa.
-
Teaching
what you've learned.
-
Self-publishing:
last resort, first resort, or dependable
standby?
This
is a one-day workshop whose content can
be compressed into one intensive 3-to-4-hour
session.
Professionalizing
Your Practice
"Professionalizing
Your Practice" is constructed for
makers of intellectual property: working
writers and photographers and aspiring
pre-professionals in those fields. It
emphasizes contract negotiation, copyright
law, the work-for-hire contract plague,
self-syndication and micro-marketing,
the impact of new digital/electronic media,
ethical issues, and other professional
concerns.
This
is a single full-day workshop combining
the two workshops immediately preceding.
Everything
You Always Wanted to Know about Professional
Writing (But Were Afraid to Ask)
"Everything
You Always Wanted to Know about Professional
Writing (But Were Afraid to Ask)"
is a free-wheeling conversational encounter
open to a wide range of participants'
concerns.
This
is a half-day workshop.
|
|
To place your
name on a mailing list for advance notice of A.
D. Coleman's upcoming lectures and workshops, to
obtain more detailed information about listed events,
or to arrange to book appearances at your school
or institution, contact:
Reiko Soucoupe
Imago Lecture Bureau
P.O.B. 040078
Staten Island, NY
10304-0002 USA
T./F. (718) 447-3091
e-mail: imago@nearbycafe.com
Imago Lecture
Bureau is a division of CODA Enterprises, which
provides full-service representation to makers of
intellectual property. Please visit our website,
CODA
Enterprises Online, to learn more about us.
back
to top
|
Copyright
© 2001 by A. D. Coleman. All rights reserved. For reprint
permissions contact Image/World Syndication Services, POB
040078, Staten Island, NY 10304-0002 USA;T/F (718) 447-3091,
imageworld@nearbycafe.com.
|
|