Selected Articles
2002
"Making It Real: Photographic Truth in a Digital Age," The Photo Review, 26:4 (Fall 2002).
2001
"Aux Morts de la Commune: Photographs from the Paris Commune of 1871," The Photo Review, 24:4 (Fall 2001), 6-10, 22.
"The View from Abroad: Some Recent Travel Photographs," The Photo Review, 24:1 & 2 (Winter/Spring 2001), 21-24.
"Barclay Hendricks," in Artists of the Commonwealth: Realism in Pennsylvania Painting, 1950-2000, Southern Alleghenies Museum of Art, 2001.
2000
"The Face of Crime: Mug Shots from Bertillon to Pol Pot," The Photo Review, 23:2 (Spring 2000), 24-27.
"Photographing Odysseus: Frank Hurley & the Shackleton Expedition," The Photo Review, Winter 2000, 17-20.
1999
"Abelardo Morell: Take Two," The Photo Review, 22:3 & 4 (Summer/Fall 1999), 46-47.
1998
"Annu Palakunnathu Matthew," The Photo Review, 21:1 (Spring 1998), 22-23.
Selected Book Reviews
2002
Review of Golden Gate, by Richard Misrach, The Photo Review, 25:3 (Summer 2002).
Review of Heads, by Philip-Lorca diCorcia, essay by Luc Sante, The Photo Review, 25:3 (Summer 2002).
Review of Emmet Gowin: Changing the Earth, edited by Jock Reynolds, essays by Terry Tempest and Jock Reynolds and interview by Philip Brookman, The Photo Review, 25:2 (Spring 2002), 18-19.
2001
Review of Havana, by Robert Polidori, essay by Eduardo Luis Rodriguez, The Photo Review, 23:3 (Summer 2001), 48.
2000
Review of Lady Hawarden: Studies from Life 1857-1864, by Virginia Dodier, introduction by Marina Warner and afterword by Mark Haworth-Booth, The Photo Review, 23:4 (Fall 2000), 24.
Review of Another Water (The River Thames, for Example), by Roni Horn, The Photo Review, 23:2 (Spring 2000), 31.
Review of The Edge of the City, by Charles Pratt, and The Edge of Night: Urban Landscape Photography, by Catherine Opie, Richard Rothman, and Tokihiro Sato, The Photo Review, 23:1 (Winter 2000), 26.
Review of Sevruguin and the Persian Image: Photographs of Iran, 1870-1930, by Frederick N. Bohrer, essays by Corien J.M. Vuurman and Theo M. Martens, Rexa Sheikh, Ali Behdad, and Julia Ballerini, The Photo Review, 23:1 (Winter 2000), 26.
1999
"Bourke-White on Paper," a review of Power and Paper: Margaret Bourke-White, Modernity, and the Documentary Mode, by John R. Stomberg, The Photo Review, 22:3 & 4 (Summer/Fall 1999), 12.
Review of Woman Thinking River, by Susan Derges, essays by Mark Haworth-Booth, Charlotte Cotton, and James Danziger, The Photo Review, 22:3 & 4 (Summer/Fall 1999), 49.
Review of Texas Death Row, photographs by Ken Light, essay by Susan Donovan, The Photo Review, 22:2 (Spring 1999), 32-33.
1998
Review of Living on a Dream: A Marriage Tale, by Patt Blue, The Photo Review, 21:4 (Fall 1998), 34.
Review of Bruce Cratsley: White Light, Silent Shadows, texts by Bruce Cratsley, Barbara Head Millstein, Sherry Suris, Julia Van Haaften, and Elsa Dorfman, The Photo Review, 21:3 (Summer 1998), 32.
Review of Humble Work & Mad Wanderings: Street Life in the Machine Age, by Ken Appollo, The Photo Review, 21:2 (Spring 1998), 27.
Review of Cuba y Cuba, by Ren Burri, foreword by Marco Meier and poetry by Miguel Barnet, The Photo Review, 21:2 (Spring 1998), 28-29.
Review of Waste Land: Meditations on a Ravaged Landscape, by David T. Hanson, preface by Wendell Berry and afterword by Mark Dowie, The Photo Review, 21:1 (Winter 1998), 25.
Review of Heaven of Animals, by Keith Carter, afterword by Griel Marcus, The Photo Review, 21:1 (Winter 1998), 25-26.
Review of John Deakin: Photographs, by Robin Muir, The Photo Review, 21:1 (Winter 1998), 26.
Review of Jazz-Age Boomtown, by Jerry L. Rodnitzky and Shirley R. Rodnitzky, The Photo Review, 21:1 (Winter 1998), 26-27.
1997
Review of Shadowcatchers: A Directory of Women in California Photography before 1901, and Shadowcatchers: A Directory of Women in California Photography, 1900-1920, by Peter E. Palmquist, The Photo Review, 20:2 (Spring 1997), 32-33.
Review of Under the Sun: Photographs by Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss, introduction by Jeffrey Fraenkel and essay by David Alan Mellor, The Photo Review, 20:2 (Spring 1997), 34.
1992
Review of Women Photographers, by Constance Sullivan, essay by Eugenia Parry Janis, The Photo Review, 15:2 (Spring 1992), 29-31.
Review of Bravo 20: The Bombing of the American West, by Richard Misrach, text by Myriam Weisang Misrach, The Photo Review, 15:1 (Winter 1992), 13.
1990
Review of Eadweard Muybridge in Guatemala, 1875: The Photographer as Social Recorder, text by E. Bedford Burns, The Photo Review, 13:1 (Winter 1990), 7.
1988
Review of Chiarenza: Landscapes of the Mind, by Carl Chiarenza, introduction by Estelle Jussim, The Photo Review, 11:2 (Spring 1988), 21.
Review of John Thomson: A Window to the Orient, by Stephen White, The Photo Review, 11:2 (Spring 1988), 22.
Review of Margaret Bourke-White: A Biography, by Vicki Goldberg, The Photo Review, 11:1 (Winter 1988), 18.
Review of Bill Burke Portraits, essay by Raymond Carver and preface by Andy Grundberg, The Photo Review, 11:1 (Winter 1988), 18.