I believe that an increasingly sophisticated audience will begin searching out and paying respect to those collections whose coherent structures organize the medium’s imagery in diverse and meaningful ways. […]
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Follow me on Mastodon:
@adcoleman@hcommons.social
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Photography collecting as a field is still at such an early stage in its development that in the late ’70s connoisseurship alone was deemed worthy of extensive media attention and considerable corporate/governmental patronage. Wagstaff’s cunning in getting sponsors to cover the promotional costs of a marketing enterprise clearly contrived to net him a small fortune raised no eyebrows I’m aware of, save my own. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Polaroid Collection: Update 4
What lesson can we extract from this? When an institution that houses any important photo/art collection gets into financial trouble, the photo/art community needs to sound an alert and, collectively and aggressively, monitor the situation and seek solutions thereto. The earlier the better. […]