I’m envisioning a performance piece for TverCA, the “new contemporary art centre” in Russia, to commemorate that phase of the infamous Katyn Massacre perpetrated therein April 1940. For ten hours at a stretch, with the occasional break, the performer places a cantaloupe on a shelf attached to the log wall, puts the barrel of the pistol against it, and fires a single shot — maintaining NKVD executioner Vasili Mikhailovich Blokhin’s implacable pace of one every 3 minutes. Bottles of vodka are passed around at the end of each session, as was Blokhin’s custom. […]