Grove Press publisher Barney Rosset and his designer stayed out of Frank’s way, simply following the layout of Frank’s maquette for The Americans, letting the pictures, individually and collectively, speak for themselves. That this edition failed commercially doesn’t really matter; through it Frank’s visionary project made its way into the world, and into cultural consciousness, on its own terms. […]
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If Mr. Frank could not escape our awareness of him as the maker of The Americans, he certainly has refused to rest on that laurel, and doggedly resisted our defining him by it. He’s made any attempt to place him on a pedestal or elevate him to a pantheon as difficult as any major artist I know of, past or present. […] |
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