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Casting as I do a wide net in my efforts to understand visual communication, and the ways in which lens-derived imagery fits into that larger puzzle, and thus the issues that criticism of such imagery must needs address, I find myself pondering all kinds of “floating things.” Forinstance, the perplexing fact that, apparently, men and women see colors differently — which would suggest that women make color photographs differently than men do, and, as viewers, react to them differently than men do. […]
Let me add that I would not and will not castigate anyone for accepting this position [Chief Curator at the Center for Creative Photography]. The state of the economy aside, the CCP is a unique repository and a major institution in photography. Running it, whether as Director or Chief Curator, is a dirty and dangerous job, subject to the well-documented machinations of a cluster of verifiable weasels. But someone’s got to do it. […]
The real act of creative genius here resides in Jimmy Fallon’s recognition that somewhere inside “Pants on the Ground,” Larry Platt’s unimaginative, one-dimensional, condemnatory lyric, there lurked the potential of a classic Neil Young lament for one’s own youthful lack of self-awareness: introspective, elegiac, self-mocking. If you hadn’t heard Platt’s version, or learned of the hoopla surrounding it, and this came over the radio without you knowing it was Fallon’s, you’d think it was middle-period Neil Young himself. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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Cabin Fever 2015: Bits & Pieces (1)
Casting as I do a wide net in my efforts to understand visual communication, and the ways in which lens-derived imagery fits into that larger puzzle, and thus the issues that criticism of such imagery must needs address, I find myself pondering all kinds of “floating things.” Forinstance, the perplexing fact that, apparently, men and women see colors differently — which would suggest that women make color photographs differently than men do, and, as viewers, react to them differently than men do. […]