The collection was not put together in the standard way — by curators picking and choosing individual pieces. Photographers gave work in return for free materials, and gave what they felt like giving. It is, frankly, very uneven; there are some great pieces at one end of the spectrum, and some godawful ones at the other. Actually, the best individual works are often by lesser-known or even unknown photographers. The “name” photographers often are represented by lackluster work. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
A most perplexing series of grandiose, self-flattering, and wildly inaccurate statements has appeared in a press release posted at the website of WestLicht Schauplatz für Fotografie in Vienna, the museum that acquired the portion of the former Polaroid Collection designated by the Trustee for the Minneapolis Bankruptcy Court as the “Swiss Assets,” which resided until recently in the holdings of the Musée de l’Elysée in Lausanne, Switzerland. My concern remains the issuance of false and misleading statements that, inevitably, go viral and contaminate the knowledge base. […] There were no bids made on the photographs still at Sotheby’s. This cluster, named the “Sotheby’s Assets” by the court, had a minimum bid figure of $556,750 during the earlier bidding period. It’s my understanding that this lot includes some 685 works, among them the ones withdrawn just prior to the auction due to the campaign to stop the auction, those that went unsold at the auction, and presumably some others brought down from storage in Somerville to Sotheby’s in anticipation of the auction but for various reasons not included therein. […] I find myself wondering if the malevolent ghost of J. P. Morgan himself, still furious with Edward Steichen for making that iconic 1903 portrait, lurked around JPMorgan Chase & Co. headquarters while this deal went down in order to exact revenge on the entire medium through which his murderous inner child had been evoked for all to see. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Polaroid Collection: Update 25
At the request of court-appointed Trustee John R. Stoebner, charged with the task of recovering as much money as possible for the creditors of the collapsed Ponzi scheme created by the now-jailed Tom Petters, the Minnesota Bankruptcy Court has approved the transfer of the cluster of works known collectively known as the “Sotheby’s Assets” from Sotheby’s in New York City to Swann Auction Galleries in the same metropolis, for inclusion in a series of auctions, beginning with one coming up in April 2012. […]