We are the “illiterates of the future” Moholy warned us about; and our children will be the illiterates of an even more hopeless future unless we transcend our current fantasies about photography education and align them at last with the higher realities of our time and place. […]
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@adcoleman@hcommons.social
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Kershaw in this 1984 book reproduces the first nine of Capa’s ten Omaha Beach 35mm images, commenting on each one in turn. Unfortunately, those annotations do not reflect well on Kershaw’s knowledge of photography or military equipment, nor on his ability to pay close attention to the evidentiary data encoded in photographs. […] When I stepped into Prof. Leonard Albert’s classroomat Hunter College in the Bronx in September 1960 he handed out to all of us a clear understanding of the origins and evolution of the very language we spoke and wrote yet in so many ways took for granted, and in doing so changed my life. […] Toward the end of the 1980s, I found myself growing increasingly disheartened with the progressive deterioration in the quality of education offered by the university department in which I taught, and the concurrent decline in the energies and involvement of its students. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Ends and Odds Again and Again
Given that the Museum of Modern Art has studiously ignored me and my critique of its policies and practices for most of the past half-century, I’ve found it both surprising and charming to have my name and work crop up in two separate MoMA projects over the past year. […]