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Alternate History: Robert Capa on D-Day (9)

The falsifying of evidence related to Robert Capa’s D-Day negatives by TIME magazine and the International Center of Photography did not begin with the forged negatives discovered by Rob McElroy in the May 29, 2014 TIME video. […]

Alternate History: Robert Capa on D-Day (8)

I believe that a grave violation of the National Press Photographers Association’s Code of Ethics has surfaced in a video presentation from late May of this year on TIME magazine’s website. I am therefore calling on your Ethics Committee to investigate the matter, using the full power of the association’s good standing, influence, and wide membership to publish the findings. If any of the key figures in the production of this deceptive publication hold current NPPA membership, appropriate sanctions should of course follow. […]

Guest Post 12: Rob McElroy on Robert Capa

The TIME video shows all of Capa’s original black & white negatives from June 6, 1944 (only nine of which have actually survived as original camera negatives), plus nine negatives that are purported to be some of the Capa negatives that were supposedly spoiled during development. The trouble is, the negatives TIME displays in this video, which supposedly show some of the spoiled Capa negatives, are totally faked. These negatives are a complete fabrication — and nowhere in the video do the producers explain what they did, how they did it, or why. […]

Alternate History: Robert Capa on D-Day (7)

All the evidence necessary to impeach the story that Morris and Capa and these others have told all these years, is presented as visual imagery in the brief TIME video from May 29, 2014. But it goes by too fast to analyze. You simply have to stop the flow of the video, freezing time by turning it into a set of still photographs, in order to read the images and words carefully. Then it becomes a confession. […]

Alternate History: Robert Capa on D-Day (6)

Robert Capa unquestionably had the skills required to make astonishing images at Omaha Beach on D-Day. He presented himself with his camera and lens at the historic setting from which he could have derived such images. But he pressed the shutter release a mere 11 times; that’s all he registered on his one roll of D-Day film. On this crucial occasion, the opportunity of a lifetime, he failed himself, his picture editor, his publisher, his public, and history itself. […]