This makes the Capa portions of Landing on the Edge of Eternity a sorry display of little more than copying and pasting that masquerades as historical research and analysis. […]
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A bit further on (and, in a historian, this is unforgivable), Robert Kershaw actually changes Capa’s own words to conform Capa’s account to the misleading version concocted by Richard Whelan, Capa’s official biographer. … That’s not revisionist historianship; it’s corrupt historianship, inexcusable. […] By energetically promulgating the Capa D-Day myth, disregarding contrary evidence in its own holdings, obstructing independent research about Capa, and falsely claiming not to possess key archival materials that it has held for years (among other sins), ICP has besmirched its reputation as a responsible repository and a credible research institution. […] The myth of Robert Capa’s D-Day, as publicly initiated by Capa himself, constitutes a classic example of the form of fraud referred to disdainfully by those in the military as “stolen valor.” […] Capa scholarship has ignored completely the other photographic records of the morning of the invasion, neither comparing Capa’s images of the scene with documentation by others nor making any attempt to integrate them into the larger visual narrative of that day on Omaha Beach. […] |
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