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Knowing too much about photography infects everything from watching tall, handsome Keith Carradine play E. J. Bellocq in Louis Malle’s 1978 film “Pretty Baby” (while remembering that Bellocq was a hydrocephalic dwarf) to reading John Berger’s typically eloquent paean to Pentti Sammallahti’s mystical relationship to the dogs in his photographs (while knowing that this Finnish photographer uses sardine oil to attract them into his camera’s field of vision and hold them there). […]
The creation of this class of academic migrant workers — “paid an average of $2,000-$3,000 per class, with few to no benefits,” Arik Greenberg of PBS points out — profits the post-secondary education industry enormously, by making it a buyers’ market for teaching jobs as well as by ensuring that grateful, easily replaceable adjuncts aware of their precarious positions within that system will not likely rock the boat in any way. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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Ends and Odds Yet Again
Knowing too much about photography infects everything from watching tall, handsome Keith Carradine play E. J. Bellocq in Louis Malle’s 1978 film “Pretty Baby” (while remembering that Bellocq was a hydrocephalic dwarf) to reading John Berger’s typically eloquent paean to Pentti Sammallahti’s mystical relationship to the dogs in his photographs (while knowing that this Finnish photographer uses sardine oil to attract them into his camera’s field of vision and hold them there). […]