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Polaroid Collection: Update 3

Alas . . . All Our Love’s in Vain

First, the good news: Four of the letters objecting to the proposed Minnesota Bankruptcy Court approval of sale of the Polaroid Collection — those sent by myself, Judy Dater, Bea Nettles, and Jan Pietrzak — arrived in time to get entered into the record […]

Guest Post 4: George Slade on Polaroid

There is no clear disposition of the roughly 14,300 less valuable objects, which remain in the hands of whoever runs Polaroid as of August 31, when Polaroid converts from Chapter 11 bankruptcy to Chapter 7. (Friday, August 28 is the last day for all employees, though some will transfer roles and become contractors.) Sotheby’s has, apparently, offered to serve as an agent for institutions that might want to acquire the collection. Although earlier attempts to find buyers, with the 1700 “cream” works still part of the bargain, met with no acceptable offers, the auction house now has the freedom to go through the entire collection and make unspecified further arrangements regarding the items it has been given permission to auction. […]

Polaroid Collection: Update 2

Based on my admittedly layman’s reading of these documents, they constitute non-exclusive subsidiary-rights licenses based on the exchange of either money or goods for those rights, not transfers of ownership. What Polaroid acquired by that exchange appears voluntarily restricted on Polaroid’s part to “the right to republish my image(s)” and/or “the worldwide non-exclusive rights for exhibition and editorial (non-commercial) publication purposes of the following images in perpetuity.” Since these letters of agreement and release forms originated with the Polaroid Corporation, we can reasonably assume that their terms represent what Polaroid sought to obtain from the photographers with whom they chose to collaborate in this way. […]

Polaroid Collection: Urgent Photographer Alert

If you have work in either the U.S. or European Polaroid Collections, want to prevent the destruction of this world-famous archive via sale of its individual works at auction, and want to establish your claim to ownership of works you deposited in that collection on long-term loan, the time to act is now. […]

Guest Post 3: Carl Chiarenza on Polaroid

The loss of Polaroid 55 PN film is devastating for me. There is no substitute material which I could use to work the way I have for almost 50 years. I may have to stop making new work using the materials and techniques I’ve refined over several decades unless (and I pray that) someone or some manufacturer — Fuji? Ilford? Freestyle’s sources? — sees the mutual value in creating a substitute film. . . . […]