Certainly no one expected any corner of the photo world to become entangled in the elaborate, byzantine schemes that have made headline news recently and brought down investment scammers such as the visibly non-archival Bernie Madoff. But that’s exactly what’s happened to the Polaroid Collection, which now faces a distinctly uncertain fate. It’s caught up in the international fiscal crisis — because Polaroid’s assets were purchased in 2004 by alleged Minnesota Ponzi schemer Tom Petters, presently in jail and awaiting trial on these charges in September 2009. Under these circumstances, title to ownership of the works isn’t clear; it seems likely the Petters fraud case will drag on for years, leaving the collection in limbo until it concludes. . . . […]
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 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Polaroid Collection: Update 1
Should the collection get dispersed via auction or other sales, then the potential for research into Polaroid photography diminishes immediately and dramatically. The collection as presently constituted has an obvious synergy on numerous levels: it embodies a history of creative use of a particular cluster of tools, materials, and processes over six decades; it shows how different picture-makers used the same medium and the same materials; it represents the tangible cumulative result of an unparalleled program of corporate support of the arts; and it reflects the curatorial and sponsorial decisions of a sequence of thoughtful figures empowered by Polaroid to subsidize production and gather the consequent output. . . . […]