I’ve tracked the “pepper-spray copy” story here at Photocritic International because it’s as vivid and immediate an example of the potency of citizen journalism via the lens media as a commentator on lens culture like myself could want. I’ve said, from the beginning, that without Lt. John Pike’s bring-it-on turning of this situation into a police-brutality photo op in front of a crowd of amateur paparazzi, heads would not have started to roll at UC Davis and he would not have become an international symbol of uniformed thuggery. […]
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I begin to see possibilities for multipurposing much of what I generate for this blog and for other outlets. Subscribers to Photocritic International and visitors to this blog can expect further multimedia offerings here, on a regular basis henceforth. In 2012 I intend to develop a line of ebooks, and to further energize all the sites that comprise Photo Education Online, the consortium to which Photocritic International belongs. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Lt. John Pike Goes Viral (7)
“Waddling like a cocksure duck,” as one commentator at the Dangerous Minds site put it, Pike with his blithe disregard for the multiple still and video cameras trained on him all but ensured that his actions, and his attitude in performing them, would go viral. What resulted was not only Pike’s transformation into a memetic icon but, much more importantly, an object lesson in the potency of citizen journalism as enabled by the internet. […]