This article, the first in a series of columns written for the Village Voice between 1968 and 1973, appeared exactly 50 years ago, in the June 20, 1968 issue of that alt-weekly newspaper, which had already become the model for the emerging national and, indeed, international “alternative press.” With it I hung out my shingle as a photography critic, a rubric that I thereby inaugurated and under which flag I still sail. […]
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The recent incident in which a disgruntled self-described “stoner high school student” accessed the personal email account of the director of the U.S. Central Intelligence Agency provides sufficient proof that it takes nothing more than a teenage degree of cleverness and determination to access just about anything put into digital form. Given that fact, you will perhaps appreciate my standard question to the “internet everywhere” advocates I meet during this fall’s round of new-tech expos: Is it hackable? […] The selfie has already become the most thoroughly documented tendency in photography of all time. Doubtless it will evolve its own serious curators and scholars. I consider it a good thing that a form of photographic imagery, and the technology through which it’s generated and distributed, has provoked a wide-ranging and often substantive public dialogue. The more of that we get, the better. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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