Clearly, Capa fudged the truth and even lied outright whenever it served his purposes, telling multiple versions of his anecdotes and choosing his sometimes extreme variations according to how he gauged his listeners and the professional consequences of his disclosures. For reasons of his own, John Morris still chooses — at least publicly — not to see it that way. […]
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In short, we have clear evidence of a pattern of intimidation and obstruction of independent Capa research by individuals at the very top of the ICP chain of command, going back to the institution’s origins. This does not bode well for the future of Capa scholarship, nor for the future of ICP. Moreover, it raises serious questions about ICP’s claim to credible status as a research institution. […] As our research has made clear, ICP has to this day assiduously avoided even the most elementary investigation of Capa’s D-Day materials. Eschewing such inquiry effectively constitutes a passive obstruction of research. But Cornell Capa also took an active, aggressive approach to that same end. […] We agreed to meet Morris for lunch once, him and his “bodyguards.” His issue was in fact our lack of “tact” in the way we cast light on the “Falling Soldier” story. He listened to our arguments. I must say I got a little frustrated, saying that we would fight to the end … my producer was wiser, and conceded. […] Cornell Capa’s intervention, as well as that of ICP’s lawyers, was rather brutal. They sent us threatening injunctions. We soon understood they would do whatever it took to stop us from making the movie. […] |
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