It is little short of scandalous that the Museum of Modern Art has never given a one-man show to a non-white photographer, for there are many at least as talented as some of those photographers the museum has chosen to show over the years. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
If photography books are to become really viable as products, without meaning as “merchandise,” if they’re to be able to be self-sustaining as a produced artifact, they’ve got to go beyond the market in photography. […] (UPDATE) Picture editor John G. Morris, for decades the most energetic public promulgator of the myth surrounding Robert Capa’s D-Day photography, died on July 28, 2017 while hospitalized in Paris. Born in 1916, he was 100 years old. […] This forum participant interrupted a cordial and collegial exchange among a number of more informed parties, jacked the thread, issued a string of the most bizarre pronouncements, adamantly maintained insupportable claims, sidestepped every polite invitation to provide evidence validating her extremist positions, flamed me — and neither the moderator (who’d asked me to participate in the first place) nor any of the forum participants took her task for any of that, or took her aside to correct her behavior, or responded at any length to even her most indefensible assertions. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Private Lives in Public Places (2)
How many of the images we see in the mass media, in textbooks, and in other vehicles, are such spurious, falsified “factoids?” Does anyone in the field consider the consequences to the subjects of such images generated by such misuse? And, on a larger scale, the consequences to the citizenry when its informational network is thus compromised and corrupted? […]