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The year began for Photocritic International with threats of a six- to seven-figure lawsuit from three goons in expensive suits, related to my pursuit of the Polaroid Collection debacle. The goodfellas in question who tried making me an offer I couldn’t refuse: Mitchell Zuckerman, President of Sotheby’s Ventures, LLC: John R. Stoebner, the court-appointed Chapter 7 Trustee in the PBE Corporation bankruptcy proceeding; and George H. Singer, Esq., Stoebner’s attack poodle. The year concluded, approximately, with my call for the resignation of another thug, William “Wild Bill” Turnage, managing trustee of the Ansel Adams Publishing Rights Trust, consequent to his corruption of the Center for Creative Photography and the University of Arizona-Tucson, where that institution is based. […]
There is no clear disposition of the roughly 14,300 less valuable objects, which remain in the hands of whoever runs Polaroid as of August 31, when Polaroid converts from Chapter 11 bankruptcy to Chapter 7. (Friday, August 28 is the last day for all employees, though some will transfer roles and become contractors.) Sotheby’s has, apparently, offered to serve as an agent for institutions that might want to acquire the collection. Although earlier attempts to find buyers, with the 1700 “cream” works still part of the bargain, met with no acceptable offers, the auction house now has the freedom to go through the entire collection and make unspecified further arrangements regarding the items it has been given permission to auction. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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Guest Post 4: George Slade on Polaroid
There is no clear disposition of the roughly 14,300 less valuable objects, which remain in the hands of whoever runs Polaroid as of August 31, when Polaroid converts from Chapter 11 bankruptcy to Chapter 7. (Friday, August 28 is the last day for all employees, though some will transfer roles and become contractors.) Sotheby’s has, apparently, offered to serve as an agent for institutions that might want to acquire the collection. Although earlier attempts to find buyers, with the 1700 “cream” works still part of the bargain, met with no acceptable offers, the auction house now has the freedom to go through the entire collection and make unspecified further arrangements regarding the items it has been given permission to auction. […]