For all its good intentions, “Harlem On My Mind” is so predictable and perfect a statement of the white-liberal attitude as to be a grotesquely funny self-parody. […]
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The Metropolitan Museum has behaved like the latter in regard to photography, with the result that it has become so irrelevant and useless that it is in imminent danger of becoming completely divorced from the living medium. Unless the museum decides to take immediate steps to rectify this, it might do well to consider the possibility of turning its holdings over to any one of several other institutions which would be capable of treating them with the respect they deserve — and proud to do so as well. […] One reason I value Omar Willey’s assessment of my writing, along with George Slade’s, is that both manifest substantial skills as writers themselves. Also, they both have a long-term involvement with photography that provides a perspective on my project as a critic which I find valuable as feedback, and which differentiates their observations from those of younger judges, no matter how insightful. […] |
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What Makes One Photo Worth $2.9 Million? (2007)
[Checking the news this past December 12, I learned from Forbes that “On December 9 PRNewswire announced that Australian photographer Peter Lik sold a photograph entitled ‘Phantom’ for a record-setting $6.5 million. ‘Phantom,’ now the world’s most expensive photograph ever sold, was shot in a subterranean cavern in Arizona’s Antelope Canyon.” (See Rachel Hennessey’s report, […]