If it’s acceptable (or not) for painters to work from photographs, and to replicate closely or paraphrase broadly the iconography of photos, do photographers get to do (or not do) the same with paintings? And, if they do, why do all the complaints about image appropriation seem to come from the photography side of the spectrum? […]
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Follow me on Mastodon:
@adcoleman@hcommons.social
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This blog, its parent website (The Nearby Café), and the three other websites that form the consortium Photo Education Online have become a Go Daddy-free zone. With that said, the cause on behalf of which Go Daddy collaborated in the making of and endorsed SOPA — prevention of internet piracy — is one in which I believe. I’ll continue to sail the online seas and hang anyone pirating my IP from the virtual yardarm here. “Arrr” yourself, matey. You’ve been warned. […] Peter Marshall, the British writer/photographer who produced hundreds (thousands?) of articles on photography for About.com, has some thoughtful comments about my recent posts on intellectual-property issues (see #1, #2, and #3) up at his blog, >Re: PHOTO, in his November 9, 2009 post, “Writing for Free.” Though he’s not a full-time working writer, Marshall did […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Cabin Fever 2017: Bits & Pieces (1)
So far as I can tell, though several Instagram followers commented on Jared Kushner’s “booty grab,” Frank Bruni alone made official note of it — and that only obliquely. So you probably read it here first. […]