Entrepreneurship undisguised by any pretense to journalism was baked into the Day in the Life paradigm, not only in the superficiality of its origins among San Francisco’s technophiles but, more deeply, in the quest for profits while conceding the rest — esthetics, syntax, semantics, emotions, accuracy — for a piñata stuffed with penny candy and meaningless trinkets. […]
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The Collins “Day in the Life of …” series of books was the first spectacular disruption aimed at transforming professional photographers into undervalued content providers, the unfortunate state of affairs that today confronts those wishing to make a career of making images. […] |
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