Thus a 7200-word article premised on a research project largely conducted by me incorporates a total of 75 words — slightly over one percent of its content — drawn from my portion of that research and my emails responding to Young’s questions about that project. […]
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The recently published interview, “Rearview Mirror: John G. Morris: Normandy, 1944,” makes it clear that Morris no longer “stand[s] by [his] account of what happened in the London office of Life magazine on June 7, 1944 as first published in [his] book Get the Picture.” The research and evidence presented at this blog over the past six months have forced Morris to make significant revisions to and recantations of his narrative of the past 70 years re Capa’s D-Day pictures and their fate. […] When he referred to this painting by Leon Golub, the art critic Robert Hughes wrote, “In the end, there are some tasks that painting can do and photography cannot. No camera is allowed in the basements of power that Golub has made peculiarly his own.” Perhaps he might have asked the artist for more background. […] |
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