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Rereading this encyclopedia entry on the year 1973 in photography at a remove of four decades, I find it pleasantly surprising to see what a diversity of issues I managed to address (even if fleetingly) in the stripped-down style mandated by the encyclopedia’s editorial guidelines. Some of the ideas alluded to here in miniature would ripen into substantial future essays: on the autobiographical mode in photography, censorship in photographym, and the definition and integrity of the body of work. […]
World Press Photo was founded in the Netherlands in 1955 — not coincidentally, the year in which Edward Steichen’s extravaganza, “The Family of Man,” made its debut as a traveling exhibit and a catalogue. That enormously influential show and book undoubtedly exerted a considerable influence on the way that the WPP exhibitions took form when they began. That influence can still be felt today; the individual images for the most part reiterate the classic tropes of that era, the show itself collects and sorts its contents into little more than a yearly variation on the Steichen model. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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Time Capsule 1973: Collier’s Encyclopedia Yearbook
Rereading this encyclopedia entry on the year 1973 in photography at a remove of four decades, I find it pleasantly surprising to see what a diversity of issues I managed to address (even if fleetingly) in the stripped-down style mandated by the encyclopedia’s editorial guidelines. Some of the ideas alluded to here in miniature would ripen into substantial future essays: on the autobiographical mode in photography, censorship in photographym, and the definition and integrity of the body of work. […]