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Alternate History: Robert Capa, John Morris, and the NPPA (4)

Thus a 7200-word article premised on a research project largely conducted by me incorporates a total of 75 words — slightly over one percent of its content — drawn from my portion of that research and my emails responding to Young’s questions about that project. […]

Alternate History: Robert Capa, John Morris, and the NPPA (3)

I can only describe the National Press Photographers Association’s Donald Winslow and Bruce Young, the writer to whom he assigned the magazine’s report on this blog’s investigation of Robert Capa’s actions on D-Day and the subsequent fate of his images, as severely compromised from the outset of their coverage of our research relating to Capa and his picture editor at the time, John Morris. […]

Alternate History: Robert Capa, John Morris, and the NPPA (2)

Donald Winslow’s motives for requiring Young’s adherence to the “he said, she said” structure seem clear: He had the NPPA’s commitments to the reputations of Capa and Morris to protect, not to mention its long-term involvement with Morris. No other approach could sidestep the obligation of judgment, enable Morris to retain a shred of credibility on this subject, and otherwise minimize the damage. […]

Alternate History: Robert Capa, John Morris, and the NPPA (1)

We must consider the decision by Donald R. Winslow of the National Press Photographers Aassociation (NPPA) to employ a suspect journalistic approach for this particular article — the discredited “he said, she said” model — and his choice of writer to practice it on this set of issues as calculated, not inadvertent, and definitely not ignorant or uninformed. […]