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Alternate History: Robert Capa on D-Day (1)

When the film gets processed in London, LIFE Picture Editor John Morris discovers, to his horror, that LIFE’s star photojournalist (and Morris’s close friend) blew his assignment, arguably the biggest story of the war to date. A major embarrassment for Capa, for Morris, for LIFE, for Time-Life, and for the profession for which Capa has become the poster boy. So Morris concocts a tale of botched processing by a kid, covering the asses of all concerned, and turning Capa’s 11 correct exposures into splinters from the true cross instead of the paltry results of a terrified bumbler. […]