Team Norsigian’s “Final Report of Investigative Team” begins thus: “There is no uniform or standardized method of authenticating photographs. Unlike a painting, there is no signature or unique brush strokes method attaching the artist to a photograph. Therefore, each investigation into the provenance of a photograph must be unique and individualized.” Yet photographs get authenticated — and disauthenticated, if that’s the word — every day, via methods not nearly so arcane or customized as this report suggests. […]
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The absence of anyone on Team Norsigian with any real grounding in photo history (and I certainly include Alt in that assessment) gives the consortium a serious credibility gap. Team Norsigian’s intimation that they’re somehow spearheading an Adams revival is purely delusional. The failure to include anyone savvy enough to prevent this posse from shooting itself in the foot repeatedly in this fashion definitely ups the odds against their prevailing. […] I have none of the specialist skills necessary to contribute usefully to this investigation, nor any preferred outcome here. So I concern myself with the quality of the discourse from the two camps — and, for my money, Team Norsigian has so far proved itself measured, judicious, and open-handed, as opposed to the frothing apoplectic rage and deceitful doubletalk coming from the Adams herd. […] Continuing her detailed coverage of the crisis of the Polaroid Collection, Charlotte Burns in the April issue of The Art Newspaper reports that a considerable number of artists and photographers with work in the collection stand ready to participate in a legal effort to intervene in its imminent dismantling. In her article titled “Polaroid row hots up,” she specifically identifies Chuck Close as having committed himself to fighting the planned June 21-22 auction of the cream of the collection at Sotheby’s in New York. […] |
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Team Norsigian Accentuates the Negative (3)
There’s a dark comedy emerging here, a sardonic parable of wishful self-reinvention by middle-aged men: wall painter Rick Norsigian as an autodidact photo connoisseur, nudie photographer Patrick Alt as a “photography expert,” museum curator Robert Moeller as another, and art hustler David Streets as yet another. I don’t want a piece of the action from Norsigian’s print sales and licensing revenues; all that may end up going to the Adams Trust, depending on how the rights issue shakes down. I want an option on the Hollywood film of the story; that’s where the big bucks lie hidden. I’m talking starring roles for Jeff Bridges, John Travolta, Jim Belushi . . . […]