I believe that an increasingly sophisticated audience will begin searching out and paying respect to those collections whose coherent structures organize the medium’s imagery in diverse and meaningful ways. […]
I believe that an increasingly sophisticated audience will begin searching out and paying respect to those collections whose coherent structures organize the medium’s imagery in diverse and meaningful ways. […] I know dozens of photographers over fifty years old who never got their due and are beginning to realize that they may never get it. After three or four or five decades of work, they begin to wonder if, in the current public feasting on photography, there are any scraps for them. […] Sam Wagstaff told Clarence John Laughlin that if he bought something he owned it. He could hang it on his own wall, stick it in a box under his bed, use it as a coaster, scale it out the window — it was his, to do with as he pleased. […] |