It is little short of scandalous that the Museum of Modern Art has never given a one-man show to a non-white photographer, for there are many at least as talented as some of those photographers the museum has chosen to show over the years. […]
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@adcoleman@hcommons.social
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“Octave of Prayer” represents a man, once a respected and vital teacher and philosopher in photography, coming to believe his own legend and making himself into an institution. This auto-deification is a sad and dangerous turn of events. […] You can attribute the paucity of posts here over the past two months to my concentration on initiating a new traveling exhibition project: “The Secret Strength of Liu Xia: Photographs 1996-1999.” Currently ending its 3-month run at the Italian Academy at Columbia University in New York City, it goes next to Hong Kong, thence to Taipei, after that to Madrid, and returns to the U.S. toward the end of this year. Its tour will continue (if I have my way) until Liu Xia and her husband are free. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Guest Post 23: Robert Dannin on Steve McCurry
I am uncomfortable watching an interrogation that is misguided if related to some elusive standard of photojournalism. … Pressing Steve McCurry for explanations when one already knows the reasons he used Photoshop — to create a more saleable, viewable image — evades more serious issues about who controls photography, and when and how to liberate it. […]