The sheer quantity of visual imagery disseminated today during a national election, its diversity of forms, its variety of sources and distribution methods, and the rapidity with which image succeeeds image, destabilizes the electorate’s perception of the candidates. For unified, coherent Renaissance representation it substitutes Cubist depiction of its subjects, a collage of glimpses built up over the course of the campaign, fluid and unfixed in the mind perhaps even at the moment the voter steps into the booth to cast the ballot. […]