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Issued at that particular historical moment ([in 1967], “Post-Visualization” virtually guaranteed that Jerry Uelsmann would find himself in the eye of a storm for years to come; not only did it declare its author’s intent to serve as a spokesperson for the approach described therein, but it implied his willingness to have his work treated as a litmus test for the theory’s validity, an example of its application in practice. […]
The tradition of people’s history continues in the work of Eugene Richards who, by reviving a cold case of racial oppression, delivers an important perspective on how little and how much has changed in a half-century of struggle against the forces of dispossession. […]
What Coleman did for us, and certainly for myself as a future photo educator and curator, was to instruct us by example never to ignore the forces that propel the visibility and inclusion of certain photographers over others. […]
In other words, boys and girls, that ain’t Aperture you’re holding, it’s a copy of The Watchtower, intended to make converts willing to follow a man who can simultaneously assert his own “natural talent for camera” and lack of egotism, who can claim, in so many words, that he and his followers are God’s gift to photography. […]
I believe that Minor White’s group show and catalog “Octave of Prayer” is an insidious insult to all photographers, not only to those whose work is included therein but also to anyone trying to sculpt an idea in silver. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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