As Team Norsigian says in the press release accompanying the “Report on Earl Brooks,” “proper authentication is the key to this mystery.” The ball’s in their court insofar as initiating such authentication goes. But they’d sooner save the appearances by rushing about looking busy with unnecessary made work like this pointless report on Brooks. […]
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"Photography Expert" Patrick Alt's website. Before I move to other related matters in the saga of the “Lost Negatives of Ansel Adams,” let me say that I have no reason to doubt the assessment of Rick Norsigian offered recently in a Guest Post at this blog by Patrick Alt, Team Norsigian’s “photography expert.” […] Patrick Alt thus failed Team Norsigian in every significant way. Of everyone in this crew, he was in the best position to ensure the production of hard evidence to support what otherwise constitutes mostly extrapolation, assumption, and hypothesis — or to bow out. He did neither, instead boarding the “lost Adams negatives” bandwagon and urging it forward (for hire, not pro bono, I remind the reader). […] It appears that while there were no questions in Alt’s mind about Adams’s creation of these negatives a year ago, such questions have belatedly entered said mind. What happened to Ansel Adams’s style in these photographs avowedly being “so distinct, you could just feel him in the room”? Not even an “Oops”? Like Gilda Radner’s Emily Litella, Alt has seemingly persuaded himself that he can switch sides in this situation without admitting that his previous statements were erroneous, unfounded, and misleading. […] |
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Team Norsigian Accentuates the Negative (17)
This story begins to feel like a rabbit hole, a sinkhole, a black hole — or some combination of those phenomena. Like the irascible diagnostician Dr. Gregory House of the eponymous TV series, I want to lurch to my chalkboard so as to scribble mad notes with interconnecting arrows all over it. Or lay about me with my cane. Or take some serious painkillers. Preferably all three. At once. As Bob Dylan sings, “The people just get uglier, and I have no sense of time.” […]