I’ve tracked the “pepper-spray copy” story here at Photocritic International because it’s as vivid and immediate an example of the potency of citizen journalism via the lens media as a commentator on lens culture like myself could want. I’ve said, from the beginning, that without Lt. John Pike’s bring-it-on turning of this situation into a police-brutality photo op in front of a crowd of amateur paparazzi, heads would not have started to roll at UC Davis and he would not have become an international symbol of uniformed thuggery. […]
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The behavior of the administrators untimately responsible in this situation, no matter how reprehensible or questionable, did not manifest itself visually in a resonant way. Pike, lowest man on this totem pole, has outdone them all in that regard, rising overnight to global celebrity by becoming an internet meme, the instantly recognizable symbol of the callous, doughnut-heavy, authority-abusing white cop. The proliferation of Pike collages cheers me considerably, demonstrating as it does that the pillory — as a function that empowers the citizenry to mock and shame those who violate the social contract — endures. […] Without the videos and still photographs of Lt. John Pike, the campus policeman at UC Davis who was documented on Friday, November 18, pepper-spraying peacefully seated Occupy-movement protesters, we’d have had none of the international uproar that ensued, nor the pandemic photocollage response to his act. So lens-derived imagery has played a crucial dual role here: first by providing undeniable evidence of an event, and then by enabling spiraling critical commentary on that event and its instigator, plus satire thereof. […] John Heartfield it’s not, but the viral photocollage campaign immortalizing the nonchalant thuggery of Lt. John Pike, the campus policeman at UC Davis who was documented on Friday, November 18, pepper-spraying peacefully seated Occupy-movement protesters, reaffirms that the roots of photocollage lie in vernacular image-making rather than modernist high-art practice while demonstrating that its reach has now become instantaneous and worldwide. […] |
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Lt. John Pike Goes Viral (7)
“Waddling like a cocksure duck,” as one commentator at the Dangerous Minds site put it, Pike with his blithe disregard for the multiple still and video cameras trained on him all but ensured that his actions, and his attitude in performing them, would go viral. What resulted was not only Pike’s transformation into a memetic icon but, much more importantly, an object lesson in the potency of citizen journalism as enabled by the internet. […]