The surrealist photocollages of Allen A. Dutton began to circulate in the 1960s, linking him to a cohort in photography that, collectively, challenged the photo establishment’s dictates regarding acceptable subject matter and content while, simultaneously, extending the range of approved craft practices. This put him in the company of Jerry Uelsmann, Les Krims, Arthur Tress, Bea Nettles, and other transgressive spirits expanding the definition of photography. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
Quaking in My Boots Thanks to the several readers who sent expressions of concern. Yes, we survived the August 23rd east-coast earthquake handily — though, working in our second-floor sunporch, I felt the tremor distinctly and recognized it for what it was, having lived in quake-prone San Francisco in the ’60s. My stepson […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
