At this stage the gallery is like an enormous, endless monster — it devours all of my time, and there’s no way I can do all of those things I just mentioned without having a bunch of people help me. That in itself triggers a whole new series of problems. […]
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@adcoleman@hcommons.social
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Free-market capitalist economies not only allow but encourage and, frequently, reward even the most disruptive technological innovations. Indeed, the very term “disruptive” has become an honorific and a term of uncritical approval. Yet the events of recent years have offered up a veritable bouquet of expressions of regret from pioneers of aspects of the internet and online life. […] Because the exhibitors at AIPAD’s 2017 Photography Show at Pier 94 had more space, and represented more diversity (including the exhibitors’ ages, and the consequent ages of those whose work they displayed), what they put on view provided a more accurate cross-section of contemporary practice in photography and photo-based art than ever before. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Spring Ahead: Bits & Pieces 2022 (1)
If, as seems quite possible now, the hubristic ineptitude of a mediocre ex-KGB officer brings post-Soviet Russia to its knees and reveals it as a second-class power, you could serve up slices of that irony (without air quotes) at summer cookouts across the free world and have people queuing for seconds right up through Labor Day weekend. […]