Clearly, we still have much work to do if we hope to dislodge this fable from the mythology of photojournalism and photo history — not to mention the larger D-Day into which it has become so thoroughly woven. Yet there’s grounds for hope, that “thing with feathers.” […]
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@adcoleman@hcommons.social
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I know dozens of photographers over fifty years old who never got their due and are beginning to realize that they may never get it. After three or four or five decades of work, they begin to wonder if, in the current public feasting on photography, there are any scraps for them. […] Sam Wagstaff told Clarence John Laughlin that if he bought something he owned it. He could hang it on his own wall, stick it in a box under his bed, use it as a coaster, scale it out the window — it was his, to do with as he pleased. […] Two noteworthy facts about this blog’s readership: It’s roughly evenly divided by gender (46 percent female, 54 percent male), slightly over half of whom fall between the ages of 18 and 34. The latter demographic surprises and gratifies me, indicating as it does that the issues I address here, and my approaches to them, prove of interest to many people not of the geezer persuasion. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Ring In the New: 2017
Philip Rivkin’s subsequent scam demonstrated that photographs — some of them, anyhow — have become valuable enough that, like works of visual art in the other media, they can now prove useful for money-laundering purposes, worth smuggling internationally. This represents a step forward for the medium of photography in its relation to the market and the economy — a proud moment, in my opinion, certainly meriting some formal acknowledgment as such. […]