Recent research has uncovered a treasure: the protocols for annotating and processing incoming films from the photographers assigned by LIFE magazine to cover the D-Day invasion. It is dated May 8, 1944, less than a month before the event. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
It feels exceedingly strange to find myself alive at a time when the American experiment in democracy could come to a sudden end. So sudden that it even has a sell-by date: Tuesday, November 5, 2024. If Joseph R. Biden doesn’t get reelected by a substantial majority — or, even worse, if he loses to Donald Trump — this country will devolve almost immediately into a theocracy. […] In response to the fanciful notion that the appropriations have somehow improved the market value of the works in question, it seems no less plausible to me that the precedent set by the court’s approval of Mr. Prince’s usages would encourage others to follow his example by appropriating these and other works by these photographers, thus devaluing not only these two images but putting at risk the entirety of their creative output. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Eyes on Ukraine (2)
Democracy itself is at stake. Not just here but in Ukraine — and, indeed, throughout Europe. The fight against fascism here in the States and the war in Ukraine have a clear connection. Success for either depends on success for both. […]