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Three Weeks in Bookworm Heaven (1)

To give just a hint of the collection’s scope, of the key photobooks listed in The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, edited by Andrew Roth, the Teti Collection has 50. That alone makes it a destination resource for researchers. […]

Jill Freedman (1939-2019): A Farewell

Does it strike anyone else but me as strange that historians will go scrabbling around in the leavings of defunct, reticent, privileged amateurs like Alice Austen and Marjorie Content rather than grapple with the significant, published output of a living, breathing photographer who has functioned independently from the beginning and, without family wealth or husband to rely on, found ways of supporting herself and her work outside the academy and the grants system? […]

Robert Frank (1924-2019): A Farewell

If Mr. Frank could not escape our awareness of him as the maker of The Americans, he certainly has refused to rest on that laurel, and doggedly resisted our defining him by it. He’s made any attempt to place him on a pedestal or elevate him to a pantheon as difficult as any major artist I know of, past or present. […]

Photography Criticism: A State-of-the-Craft Report (1979)

What we need, it seems to me, is a group of critics less interested in equating themselves with photographers or aligning themselves with curators, gallery owners, and other critics, and more actively committed to functioning as articulate intermediaries between the work of photographers and the largest potential audience for that work. […]

Nathan Lyons, SPE: The Formative Years

In the half-century of its existence SPE transformed itself from its original form as an unofficial, photo-specific splinter division of the College Art Association into something akin to photography’s equivalent of the Audubon Society: $20 plus an interest in birds gets you in — and they’ll waive the interest in birds. […]