The contrast between the world outside the hospital, where the physically well cannot find relief from emotional pain, and the world inside the second of Julio Mitchel’s “Two Wards,” is the photographer’s major point. It emerges from neither of these two essays separately; it is created by their combination. […]
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For the September 10 debate with Trump, Harris and her team selected the on-screen position of maximum visual strength and control of the media context — an extremely savvy decision. Watch any portion or clip with the sound turned off to verify the impact of this choice on your experience of the proceedings. […] These are not cheerful photographs. They are direct, and specific metaphors for what would seem to be a profound and prolonged suffering which encompasses impotence, fear, deprivation, and loss. Their power resides in the preciseness with which they describe not merely what the eye has seen but what their maker has experienced. […] Stock up on popcorn. You can help it fulfill its potential and achieve its destiny, passing through what the faithful kernels call “The Rupture” via whatever device you use until they can truly say “We are risen!” (Only a few get left behind.) […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Election 2024: Image World (9)
So here we are, four weeks away from learning what we collectively decided as to whether we should turn into a Christofascist dictatorship. […]