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The question is hardly whether or not John Szarkowski chooses to “consider himself to be an influential force.” He is one, de facto and de jure. He knows he is one; to believe otherwise is to impute to him a naiveté bordering on the moronic. And he exercises his influence regularly and consistently, in a variety of ways, to support the photographers he favors. […]
On June 6, 2018, the aptly named website Artsy.net published “Photographer Robert Capa Risked It All to Capture D-Day — then Nearly All His Images Were Lost,” by Haley Weiss, under its “Visual Culture” rubric. It consists, in its entirety, of a rehash of the Capa D-Day myth, simply rewritten from one or more of the standard versions that our research project has thoroughly refuted. […]
This article, the first in a series of columns written for the Village Voice between 1968 and 1973, appeared exactly 50 years ago, in the June 20, 1968 issue of that alt-weekly newspaper, which had already become the model for the emerging national and, indeed, international “alternative press.” With it I hung out my shingle as a photography critic, a rubric that I thereby inaugurated and under which flag I still sail. […]
What Coleman did for us, and certainly for myself as a future photo educator and curator, was to instruct us by example never to ignore the forces that propel the visibility and inclusion of certain photographers over others. […]
Silloray’s work thus becomes the first book published since our research project began to reflect an awareness of the fruits of our labor. If our efforts can have that effect on a book intended for the general public, the demolition of the Capa D-Day myth has begun, and more serious, scholarly works will surely follow suit. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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