For all its good intentions, “Harlem On My Mind” is so predictable and perfect a statement of the white-liberal attitude as to be a grotesquely funny self-parody. […]
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With Operation Fortitude South in mind, should we consider the possibility that SHAEF’s system-within-a-system for retrieval of civilian press coverage of the D-Day invasion did not in fact fail, but instead operated exactly as it was intended to do? […] Lucy Parsons thus chose two highly regarded, technically proficient New York City photographers to take her photo in 1886. Their talents ensured that these portrait photos captured the public’s attention for decades to come. […] Always the contrarian, Lucy Parsons commanded treatment on her own terms as a wholly unique individual, entitled to equality, dignity, and respect; and she claimed that higher ground not only for herself but for all people, everywhere and forever. […] That Lucy Parsons was not “white” was apparent to both the audiences she addressed and the mass media that routinely reported on her activities. The published observations of her physical attributes referred to her skin color in euphemistic terms such as “dusky,” “mulatto” and “quadroon,” or bluntly as “negro” and “negress,” adjectives and nouns all used to sully her reputation and undermine her credibility. […] |
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