The language currently applied to photographs as distinct from other kinds of images is derived entirely from the jargon of technique; it is a form of shop talk which pertains to the manufacturing of photographs as objects rather than to their workings or effects as images. […]
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Follow me on Mastodon:
@adcoleman@hcommons.social
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It is impossible to discuss the “problems of photography criticism” as though they were clearly formulated and widely agreed-upon issues, consciously faced by a diversity of critics familiar with each other’s relative positions, and known to an audience engaged in active observation of critical interactions and the concepts emerging therefrom. This is very far indeed from being the case. […] For a lad still a tad, who had passed through and adapted himself to three linguistic environments — Manhattan, southern France, London, and then back to Manhattan — in three years, this came as music to the ears. That Joycean play with language, in a form accessible even to a sprat like me, heightened my consciousness in relation to the spoken and written word by making the very act of reading — not the experience of following a story line, but the savoring of language itself, its slipperiness and mutabiity, its multivalent possibilities — fun. […] I left the country just once this year, for the Athens Photo Festival in early June. Aside from that, I left New York City only twice, both times to receive awards — the first at the Society of Professional Journalists dinner at the National Press Club in Washington, DC, on the evening of June 26, for our team’s Capa D-Day project, the second to Philadelphia on November 7 for The Photo Review Award 2015. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Election 2016: Image World (5a)
Taking the “food-stamp challenge” over a three-month period, I discovered that, even in the relatively expensive urban environment of one of New York’s outer boroughs, a sum between the average and maximum monthly SNAP allotment ($135-200) could provide sufficient healthy food for an adult with no special needs who shops carefully and prepares his own meals at home. […]