Sam Wagstaff told Clarence John Laughlin that if he bought something he owned it. He could hang it on his own wall, stick it in a box under his bed, use it as a coaster, scale it out the window — it was his, to do with as he pleased. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
I’ll Go On I did not plan to spend my seventies confronted daily by the latest doings of a dangerously egomaniacal ignoramus and his malignant cronies, intent on reshaping my world by striving to undo every bit of progress achieved in this country over my lifetime. Yet here I sit, staring into the […] Irene Caesar, engrossed in her process, seems entirely oblivious to my discomfort, even when, quietly, I give verbal indications thereof. Crouching, kneeling, sometimes squatting on a soft-sided suitcase of mine, she appears to have entered a trance state in which she channels the spirit of David Hemmings in Michelangelo Antonioni’s 1966 film Blow-Up. Squirming around to adjust her vantage point, she calls out, repeatedly, “Give it to me! Give to to me! Show me your eroticism!” […] With their let-’em-eat-cake attitudes, the Republic Party threatens 45 million people with plans to take the food out of their mouths, while derogating them for their inability to feed themselves. That’s a powerful image of themselves for the GOP to project. Let’s see how well it serves them on November 8. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Year-End Ends and Odds, 2016
Fashion model Winnie Harlow’s career represents yet another instance of the social importance of disabilities — and, more broadly, differences — going mainstream. When anything beyond the norm goes public via a forthright, positive visual image thereof, from sexual orientation to physical characteristics, tolerance and then acceptance follow close behind. […]