Capa is still standing atop the landing ramp of the Higgins boat, shifting his camera slightly more to the left. He can now see a living timeline of the invasion’s progress spread out in front of him. The very first American soldiers hit Omaha Beach at 06:30 a.m., and at least 18 are shown after they struggled across the 300 yards to a steep incline of sand nicknamed The Shingle. […]
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In his own account of boarding the LCI which took him away from Omaha Beach, Capa describes an explosion that takes place moments after he came aboard, killing several crew members. Based on Lewis’s diary entry, that happened just minutes after they disembarked their troops — somewhere around 0750. If these details add up, then, Capa reached Omaha Beach at 0725 at the very earliest, and clambered into the relative safety of the LCI at 0750, just 25 minutes later. That boat departed Omaha Beach at at 0837. So Capa was at Omaha Beach for a maximum of 72 minutes, following the second-wave troops and photographing them for less than half an hour. […] The falsifying of evidence related to Robert Capa’s D-Day negatives by TIME magazine and the International Center of Photography did not begin with the forged negatives discovered by Rob McElroy in the May 29, 2014 TIME video. […] I believe that a grave violation of the National Press Photographers Association’s Code of Ethics has surfaced in a video presentation from late May of this year on TIME magazine’s website. I am therefore calling on your Ethics Committee to investigate the matter, using the full power of the association’s good standing, influence, and wide membership to publish the findings. If any of the key figures in the production of this deceptive publication hold current NPPA membership, appropriate sanctions should of course follow. […] |
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Guest Post 13: J. Ross Baughman on Omaha Beach (b)
[Editor’s note: Following up on my analysis, in an earlier post, of the timing of Robert Capa’s arrival at and departure from Omaha Beach on the morning of D-Day, June 6, 1944, photojournalist and author J. Ross Baughman brings his experience as a combat photographer to bear on a frame-by-frame analysis of the 10 remaining […]