These represent the types of pointed questions that you’d get asked by a serious interviewer who’d done his research — not someone kissing up to you, like Bob Pledge at the ICP, and not someone invested in feeding the Capa legend, like his biographer or the curator of his archive. […]
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On a purely practical, bottom-line level, this gang of five — Michel Berney, director of the CEPV; Christian Rossier (on the technical faculty of the CEPV)Pierre Keller of ECAL; local entrepreneur Vincent Juillerat; and Anne-Catherine Lyon, director of the cantonal department of education — took a post-secondary photography program that operated in the black and turned it into a losing proposition, with no clientele, in the space of about 18 months. How very Swiss of them. […] Apparently you intend to “professionalize the work of the CEPV students and to improve their relationship to the field” by removing them in their culminating third year from the guidance of an unprecedented group of established high-profile professional names in those various territories of photography — famous and influential senior figures whose connection to these students can benefit them in many ways — and instead placing those students under the strict supervision of a cluster of Swiss nonentities. The pedagogical rationale for this escapes me. […] Never underestimate the long-term havoc that determined arts-education careerists can wreak in a short time, or the permanent damage (including financial damage) such rampaging functionaries can do to students, faculties, programs, and even entire schools. […] |
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Guest Post 14: Q&A with John Morris (a)
The first of Capa’s Omaha Beach exposures shows the troops disembarking from the LCI on which Capa arrived. The next to last shows Pfc. Huston Riley, who recalls that immediately after helping to rescue him Capa ran for an outgoing LCI. In his memoir “Slightly Out of Focus,” Capa himself states that after he reached that LCI he made no more images of the battle. Thus the “magnificent eleven” constitute not just what Morris managed to “save” but the entirety of Capa’s take from Omaha Beach. […]