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Film the Police (1)

We’d know nothing of the truth about the death of Eric Garner if bystander Ramsey Orta hadn’t made and immediately posted a video. That video of the Staten Island police beatdown on Garner, and still images derived therefrom, plus other documentation by other concerned citizens, have gone globally viral. So this is about images. […]

Year-End Ends and Odds

Kim Kardashian, intent on extending her 15 minutes of fame indefinitely (or at least milking it for all it’s worth), will release a book of selfies next April. This gives a whole new meaning to the term “vanity publishing.” Titled “Selfish,” priced at $19.95, under the prestigious imprint of Rizzoli International Publications, it will run 352 pages and include more than 1,000 selfies — surely as redundant an act as one could conceive for someone whose image has become inescapable. […]

The Photographer as Citizen (4)

We — not we in the U.S., nor we in the west, but we as a species — need those among us willing not just to watch but to witness, and sometimes to bear witness. We do not encourage and support them by insisting that, beyond that commitment, they have some vague moral obligation to intervene as well, or to second-guess their quick decisions on that score in fraught and dangerous situations. […]

Alternate History: Robert Capa on D-Day (14)

These negatives in the Capa Archive at the International Center of Photography constitute portions of the rolls sent by Robert Capa to John Morris, LIFE magazine’s London picture editor, upon docking at Weymouth, England on the morning of June 7 — in other words, they represent the negatives supposedly “ruined” in the demonstrably mythical darkroom mishap caused by the possibly mythical “darkroom lad” Dennis Banks. […]

Alternate History: Robert Capa on D-Day (13)

Robert Capa’s missing and supposedly destroyed D-Day negatives — the ones he shipped to London from Weymouth on the morning of June 7, the ones purportedly destroyed in a freak darkroom accident that night — sit today, intact and available for study, where they’ve sat for years: in the Robert Capa and Cornell Capa Archive at the International Center of Photography in New York. […]